Saturday, September 30, 2017

The craziest thing about Netflix's Big Mouth.

The ghosts of Duke Ellington, Freddy Mercury, and Socrates, respectively.

I was really looking forward to Big Mouth and... it's... good. It's good! It pushes the boundaries of what Netflix can show and does amazing things with it. There are multiple, I'll say it, highbrow sketches based around nudity and sexuality. One where Kristen Wiig plays the female lead's hyper positive vagina had me on the floor.

What's less great are it's half assed musical numbers whose joke hardly ever evolve beyond "It's a song about tampons!" One in which John Mulanney's character thinks he might be gay is musically pretty strong, but it's just built around easy rhymes for gay. It's saved beacause it's a solid Queen imitation and the guy playing the ghost of Freddie Mercury is SCARY good. I assumed it was Broadway's Andrew Rannells (who's characters use as a one note joke machine instead of, you know, a character) deserves it's own post.

But no. It's Jordan Peele. He's been sitting on the best Mercury impression I've ever heard. I bet you money he's been hustling karaoke night with Someone to Love for years. That's something you can hustle, right? My point is Peele may be one of the most interesting people who's ever lived.


1 comment:

  1. I agree with all of the above. The show wasn't even on my radar until I the show's creator appeared on Colbert this week, and I decided to check it out. I'm a little surprised by how much I like it (and by the subject matter the show tackles).

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