.@DumbCerb No - the amazing @RicardoBare and @rafcolantonio came to me w/ the story, and I was like, "fuck yes, I'd love to help."— Chris Avellone (@ChrisAvellone) June 13, 2016
Wednesday, June 15, 2016
Chris Avellone has arrived.
The man I created a twitter account for the sole purpose to tweet at has been writing a big budget shooter. Prey is now officially a Chris Avelonne joint... actually it looks like he just punched it up a bit. Still! He's helping mold actual facial animation that isn't frozen in a dead eyed stare. I love New Vegas way more than the next guy and still... that facial animation aged like milk. I could NOT be more pumped for this sci-fi ground-hog-day shooter rigamarole.
Monday, June 13, 2016
Jesus LORD, do I want a domesticated fox
50 years ago soviet scientists bred the aggression out of wild foxes to learn how dogs came from wolves. Though arcane and torturous international trade dealings some people have gotten their hands on a couple "domesticated" foxes. Half of a cat's hunter instincts with half of a dog's high energy playfulness makes a pet hybrid I didn't know I needed in my life. I would LOVE it if I came home to a dog that would play-stalk me like a delightful fuzzy kato.
For now I'll just have to settle for youtube videos...
Saturday, June 11, 2016
Crackpot Theory: Battleborn's Loot is tactically brilliant.
BB may have a soft spot in my heart but my eyes are not immune to it's shortcomings. If you're having second thoughts, by all means, wait for a $30 price drop. That's fair. But I do want to talk about the loot because it's AMAZING.
They tweak everything from running speed, area of effect skill cooldown times, sprinting speed, shield piercing, healing power, just anything and everything. But you can only use 3 at a time and it's usefulness usually comes at an equal price. They all run on an in-match currency called shards. Low level loot'll run you about 300 shards. Epic loot like the generous refund policy up there is worth a whooping 1800! There is no way you'll be able to use it until about halfway through a campaign level and that can be an eternity. Even if you have the greatest possible loadout, if you're not "good" you're gonna get wiped long before you have a chance to use any of it.
But there is an opposite side to that spectrum. Most white loot is garbage, but some come with no shard cost at all! You can just boot em' up immediately. Like this one do-dad that gives me 1.5 healz per second at the cost of -15% reload speed. A harsh trade off for a sniper... but what about a melee character that has no reload at all? You could run the board early in a PVP match and I have done so!
The checks and balances with Battleborn's loot are polished to a mirror sheen. It's a shame not enough people are playing it. Or even talking about it... siiiiiiiiiiiigh.
Thursday, June 9, 2016
Steamy Racism
We JUST stopped talking about Anita Sarkeesian. |
Soon they'll have nowhere to hide.
Tuesday, June 7, 2016
Battleborn Review: This is Spartan.
I know what you think about Battleborn, but baby... lemmie try to change your mind. |
As my blogger buddy Chance devastatingly pointed out to me a few weeks ago on the podcast... "nobodies talking about it." I barely talked about it myself, but I just couldn't stay away. I don't have it in me to play something for 60 hours just to make a point. I genuinely can't stay away from it. Allow me to explain.
Gearbox curates a gameplay loop that they've been slowly refining since the first Borderlands. For some reason, no one else quite has "it" and it's really hard to explain. I think it may all be about their head shots. In games like the last couple Tomb Raiders, the aim assist is so intense I can regularly get head shots by accident. For some reason, no matter my load out and no matter my weapon, in gearbox's games I always have to do the right amount of work. It's not too hard or too simple. It's a delicate alchemy tailor made. It's also perfectly captured in Battleborn.
I think it's funny when people say Gearbox isn't funny. |
Only good at FPS? Oscar Mike plays exactly like every single Shooter McCspace-marine you can remember. He even has a couple fun twists to pique your curiosity. I know I wanna play Halo with lava grenades and "sick ass space lasers." What about Elder Scrolls? There's an otherworldly sword and board gladiator with your name on it. My point is, every character is genuinely fun to play. I haven't exactly tried every one of the 25 "Battleborn." But I've gotten pretty far with more than half and only 3 have actively disappointed. I don't even know where to begin to pick a favorite...
If I'm in a rogue mood, I'm Reyna. A pirate queen with a laser cannon, magnum pistol, and a dead eye. I tend to go off by myself to find loot and she can hold her own to a point. Her real job is buffing the team's shields and eventually putting up bullet walls. As soon as I see my team going down I Errol Flynn like a motherf**er. Shielding friendly's from death, taking down enemy captains, and generally saving the whole goddamn day. She's amazing.
Or Mellka the chick with a jade claw for one arm and a machine pistol that launches grenades when you reload. She's crowd control and DPS in one snazzy package, plus her faction (of space elves and stuff) regenerates health so if you have loot that gives her a shield... I've gone too inside baseball haven't I? My point is that even though there is a dearth of content, each new character could honestly hold their own if they were the star of a 12 hour single player game. No. I'm serious.
Picture a Saturday morning cartoon that knows exactly when to curse. |
Battleborn is almost a new game every time you dive into a different character. I never would have thought I'd enjoy being a healer until I had two pieces of legendary healer loot foisted upon me. I've been having a blast with my ninja mushroom medic ever since. And it should be noted that Miko, unlocked from the start, changes back and forth from a male voice over to a female voice over. Because he/she/them is a colony of spores! It may be a step removed from a real issue, but gamers can be a depressingly prejudiced and sensitive bunch. They did not have to go that direction and they certainly didn't need to make that character a cornerstone of the posters and marketing. Kudos, Gearbox.
In the end, a multiplayer game lives and dies by it's player base. And in that case... death is near. We peaked at 10,000 and are now stuck around 2,000 on PC. It won't be long until it's free to play and it won't be much longer after that when the content support dries up. It's a shame. Though the folks that are left make the most of it. Not a single person has been rude to me or anyone else.
If I played as someone like Reyna in a Call of Duty player base at least ONE little f**k is going to say something stupid about her full figure. Not here, we're all just happy folks are still out there. No one, as long as nobody has run ahead and screwed the whole team, is going to say anything nasty. And I've played public while miked with a friend who happens to be a woman. Nobody did anything weird and she has only the nicest things to say about her time with the game personally. Isn't great she only feels comfortable in games with a DOA player base? Sigh... one topic at a time, McCracken.
It may not be a great game, but I've had a great time with it. Strong characters, a decent but brief campaign, a delightful community, and a fine loot/leveling system make it a memorable experience. Sometimes in spite of itself. If I had a 10 year old brother back when I was in high school I'd be playing this with him every. single. day.
I think you've confused Reyna with someone who takes sh*t. |
Monday, June 6, 2016
Well... damn.
Thursday, June 2, 2016
The Nice Guys Review: What about the birds, man?
I love almost everything Shane Black has done. Including Iron Man 3 and especially Kiss Kiss Bang Bang. The latter is the single greatest movie of all time. I have sources! Key and Peele think so. I can't find the clip, but trust me on this. He has a simultaneous love and disdain for masculinity and you never know if he's going to glorify or kick it in the balls. But mostly he kicks it in the balls with a style all his own.
After one of my favorite opening shots ever (of the decrepit the 70's Hollywood sign) we might as well be in a foreign country. That decade was gaudy, drug addled, and hideous. Only a hard boiled PI story could do it justice. Audio snippets of the sickly sweet ads for "The Waltons" clashes wonderfully with the pastel colored hellscape that is 1970's Los Angeles. And indeed, the set design almost makes the whole movie. I won't say the city was also a character, because that's hack... but I'd be fine if you made the comparison.
Crowe plays a lonesome old body guard who just wants to do what he's best at and get a little respect out of the bargain. He dreams about becoming a PI so he can finally go legit. But Gosling pops into his life to turn all that into a nightmare.
Gosling (a PI single father) crosses paths with Crowe while on the hunt for a missing woman (who Gosling knows is dead but takes his fee anyway). One thing leads to another and soon they're both pulled into a circus of murder and arson surrounding a single unreleased pornogr- uhhh... art film. The story's just a goof. It's solid but don't peek behind the curtain too hard. It actually makes a lot more sense if you've seen "Who Killed the Electric Car?" but I digress. The film is entirely character driven and all the better for it.
Crowe is the soft spoken straight man to Gosling's panicky lout of a PI. He has an arc over whether or not he can be both a killer and a "good" guy. But this is the Ryan Gosling show and he mostly stays out of his way. I don't care what you thought of Ryan Gosling before this. I don't care if you hated Drive, this is a comedic performance that's once in a generation. This is a Gene Wilder level mastery of humor and pathos. Holland March is an all time comic drunk. A man who lost half of everything he had and knows he will never get any of it back.
There's real sadness behind his eyes in every scene and it's honestly what makes it so funny. He has real talent for investigation but can't shake the drunken monkey on his back. The highest comedy beats of the film all stem from him coming so agonizingly close to cracking the case and then failing masterfully. He's somehow the most lovable deadbeat dad possible.
His daughter, in a career maker performance by Angourie Rice, is an emotionally scarred Nancy Drew stuck in a Lethal Weapon mystery. Hi-jinks. Ensue. It's rare you see a young actor this frikkin' natural and even rarer to have a story that gives her so much to do. She's kinda her dad's chauffeur seeing as he's a step away from blacking out at any given moment. Every time you think she's going to bring the buddy cop vibe down, she only grounds it. Because seriously, how many noir detective stories pretend kids don't exist?
Amidst all the family drama, gun fights, pithy rejoinders, and all the gory visual details of Carter era California; this movie transcends being just another buddy cop joint. It's the rare flick that's smarter than it wants you to think it is. I personally had to be shushed by the couple next to us. That's how much it got to me. It's not the best movie I've seen this year (I sincerely hope Zootopia gets a best picture nod) but there just ain't nothing like a Shane Black picture. They may have finished last at the box office but there's no better time at the movies right now. Go. GO!
After one of my favorite opening shots ever (of the decrepit the 70's Hollywood sign) we might as well be in a foreign country. That decade was gaudy, drug addled, and hideous. Only a hard boiled PI story could do it justice. Audio snippets of the sickly sweet ads for "The Waltons" clashes wonderfully with the pastel colored hellscape that is 1970's Los Angeles. And indeed, the set design almost makes the whole movie. I won't say the city was also a character, because that's hack... but I'd be fine if you made the comparison.
Crowe plays a lonesome old body guard who just wants to do what he's best at and get a little respect out of the bargain. He dreams about becoming a PI so he can finally go legit. But Gosling pops into his life to turn all that into a nightmare.
Gosling (a PI single father) crosses paths with Crowe while on the hunt for a missing woman (who Gosling knows is dead but takes his fee anyway). One thing leads to another and soon they're both pulled into a circus of murder and arson surrounding a single unreleased pornogr- uhhh... art film. The story's just a goof. It's solid but don't peek behind the curtain too hard. It actually makes a lot more sense if you've seen "Who Killed the Electric Car?" but I digress. The film is entirely character driven and all the better for it.
There's real sadness behind his eyes in every scene and it's honestly what makes it so funny. He has real talent for investigation but can't shake the drunken monkey on his back. The highest comedy beats of the film all stem from him coming so agonizingly close to cracking the case and then failing masterfully. He's somehow the most lovable deadbeat dad possible.
In Shane Black-land... it's Christmas every day. |
Amidst all the family drama, gun fights, pithy rejoinders, and all the gory visual details of Carter era California; this movie transcends being just another buddy cop joint. It's the rare flick that's smarter than it wants you to think it is. I personally had to be shushed by the couple next to us. That's how much it got to me. It's not the best movie I've seen this year (I sincerely hope Zootopia gets a best picture nod) but there just ain't nothing like a Shane Black picture. They may have finished last at the box office but there's no better time at the movies right now. Go. GO!
The hell are you still doing here?! |
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