Horror is a hard genre to love. It is so difficult to get right and what little that glitters is drowned in a sea of half-assed embarrassments. I gave the first season of SCY FY's Channel Zero a try and I stuck with it for what seemed like an eternity. Some shows can make 13 episodes vanish in a couple hours, Channel Zero made 4 feel like a prison sentence. There was nothing, absolutely nothing, that season did that wasn't profoundly outdone by the IT mini series. And that hasn't aged well AT. ALL. Tim Curry aside, of course.
But there's the thing, that show was anchored by Curry as a driving force, Channel Zero had a tooth monster that nibbled the hero's fingers when he slept. It was dull, aimless, choking on awful dialogue and trying to force performances out of child actors I wouldn't ask Gary Oldman to tackle.
But now we have season 2. A fresh start, a better cast, and what I assume is a bigger budget. If you can give John Carrol Lynch a good character to chew on I am
there. After watching the first episode and letting it rattle around in my head for a few days... yeah! It's trying much harder this year. Maybe not B+ material, but I definitely have a "most improved show" ribbon for it.
We have 2 female leads, which is pretty refreshing. One is coming home to the burbs after a semester of college while the other took a gap year after her dad died from a freak allergic reaction. Sure, they mine guilt for her out of it, but I love how boring the most dramatic thing that's ever happened to her is. That's not a knock, suburban horror must find a way to weaponize boredom and they've pulled it off here.
It's not all rosey, there are still dialogue problems (people pointing out painfully obvious things, characters clumsily spouting exposition about themselves, etc.) and the opening scene involving a panicked woman trying to escape a never ending housing development is a smidge too "community theater" for me. But this is a haunted house story and this haunted house is f**king
awesome.
It's actually more an art installation/escape room and I loved it. It was the best kind of world building. Unsettling, but poetic enough so it sends a message. Not everything works, of course. There's this one dude who has to creepy laugh all the time. He's terrible. But the rest of the rooms balance it out. That's the word for this show. Balanced.
There's nothing it did wrong that's bad enough to keep me from finishing it like last year. I like the actors, I like where it's going, it knows most of David Lynch's best tricks, and I can't wait to see JCL be a scary motherf**ker eventually. Because there's no way he won't.
