The Good Place is, in actuality, the best place.

Here be spoilers.

Mike Schur is a genius. I'm sure I've brought this up before. Parks and Rec will forever and always be my chicken soup show. But I've struggled to pin down what I care about most in what he does/what he encourages out of his crew. I think I've figured it out, because it's what's kept me from loving most other comedies. I wanted to get into Big Mouth more than I did, it was funny as hell, had a killer premise, and 5 or 6 brilliant sketches about puberty/relationships. But there was something missing. Story structure.

Scenes would stop the instant the funny ran dry whether it made sense or not. In Rec even the smallest scenes always had a beginning, middle, and end. Or at least a punchline. In Rec, characters like Donna and Jerry evolved slowly from joke machines into fascinating people in their own right. Their absence would be felt. Whereas Big Mouth's most ubiquitous punching bag, the upbeat/crushingly lonely PE teacher, could  have died off camera by next season and I would be just a teensie bit relieved.

Strip out everything that's funny about Schur's shows and you still have a brutally honest look at small town America and it's politics. In this case, a lighthearted but cutting twilight zone epic about the bureaucracy of hell. Sorry if that's a spoiler. It's been on Netflix for a month and a half. What I love most about the Good Place isn't just that its giving philosophy majors everything they deserve... it's outplaying Lost.

In the first 60 minutes this year we have blown through an entire season of plot development. I thought I was so damn clever in thinking that there would be some sort of truce between the torturers and the torurteries. But, like, in 10 more episodes. I have absoulty no clue where they can go from here and I f**king love it. I'd watch Kristen Bell in a version of The Good Place half as compelling as this (lord knows I've seen the 3rd season of Veronica Mars), but this is one of the most intricately plotted shows on the air. Period. It may become the victim of it's own hubris but not yet. Right now, in the pantheon of great American comedy, Schur is competing with himself.

And winning.